A classroom, says Atwell, who was chosen for the Global Teacher Award from over 5,000 nominations from 127 countries, should be a place of “wisdom and happiness” rather than stress and fear of failure.
Atwell’s words would have been music to enlightened educators down the centuries, especially those who added ‘beauty’ to Atwell’s “wisdom and happiness".
A classroom should be a place of wisdom, happiness – and beautyStowe in Buckinghamshire is, without doubt, one of the world’s most beautiful schools. It was founded in 1923 in the Arcadian landscape of one of England’s most romantic country estates threatened with demolition at the time. Saved, after a spirited fight led by the architect Clough William-Ellis, it was turned into a school. John Fergusson Roxburgh, Stowe’s founding headmaster, said it would be a school where every pupil would “know beauty when he sees it all his life.”
Stowe school in Buckinghamshire was founded in 1923 in one of England’s most romantic country estates (Credit: Ronnie McMillan / Alamy Stock Photo) |
Lagoon of learning
Not every school can be Stowe, an English public school and a place of privilege, and yet beauty can be found in the least privileged settings, too. Which school could be more special than the floating school in Makoko, a waterborne shanty town off the coast of Lagos. Here, NLE architects, a Dutch firm led by Nigerian-born Kunlé Adeyemi, have shaped a simple, yet hauntingly beautiful timber school floating among lagoon houses.
Beauty can be found in the least privileged settingsMakoko is a poor place, although like Stowe 90 years ago it has been threatened with destruction by politicians and officials who see it as an illegal settlement. Now, with a school that has won admirers worldwide, Makoko is a source of pride for an increasing number of Nigerians. Working closely with local people, NLE have brought not just education to Makoko’s children, but self-esteem and a new beauty to this shanty town, too.
In Makoko, Dutch architects NLE have shaped a simple, yet beautiful timber school floating among lagoon houses (Credit: NLÉ, Iwan Baan) |
Oxford and Cambridge have inspired the design of university campuses worldwideShelf love
Certain undergraduates choose a college like Magdalen, Oxford as much for its beauty – its medieval cloister and tower designed by William Orchard and its later Palladian and Victorian additions set by the River Isis back onto a timeless deer park – as for its scholastic virtues. It is perhaps not a coincidence that Magdalen’s library houses a fine collection of books on architecture, including its first, a 1649 Dutch edition of Vitruvius’s De Architectura, a treatise dating from the 1st Century BC. Vitruvius reminds architects of their duty to build with firmness, commodity and delight.
The medieval cloister and tower at Magdalen College, Oxford were designed by William Orchard (Credit: Lifescenes / Alamy Stock Photo) |
The most delightful places of learning have always been lined with booksWhen completed in 1732 to designs by Colonel Thomas Burgh, a military engineer, architect and MP, the library was both one of the largest and most determinedly civilised new buildings in this city of vivid literary, lyrical architectural and intense academic endeavour.
The Long Room of the Old Library of Trinity College, Dublin is timber-lined rising to a great barrel vault (Credit: incamerastock / Alamy Stock Photo) |
Whether Gothic or Classical, or in styles of North Africa, the Middle East and the Silk Route, colleges adopted the architecture of cloisters and courtyards. These offered, as they still do, a sense of calm, quiet and introspection, necessary to writing, research and book learning.
The Spanish Colonial architecture of Scripps College near Los Angeles creates a serene atmosphere suited to the Californian climate (Credit: Scripps College) |
Beauty can be conjured at low cost and in any setting, urban or ruralWhile Magdalen, Trinity and Scripps colleges are special places founded by and endowed with financial largesse, and although they are complemented by schools and universities built in more recent years as diverse as Lev Rudnev’s soaring Moscow State University (1953) or the gentle, yet gravity defying loops of Lausanne’s Rolex Learning Centre (2010) by the Japanese architects Sanaa, beauty can be conjured at low cost and in any setting, urban or rural.
Japanese architects Sanaa created the gentle gravity defying loops of the Rolex Learning Centre in Lausanne (Credit: Prisma Bildagentur AG / Alamy Stock Photo) |
Immediately after World War Two, England’s Hertfordshire County Council began a programme of rapid school building. Lightweight steel structures designed and refined by local authority architects – notably Stirrat Johnson-Marshall and David and Mary Medd – offered bright, airy, spacious classrooms and other spaces realised on a scale that ensured the wellbeing of pupils and teachers alike. Some featured sculptures by Henry Moore. This was enlightened, altruistic design at a time when Britain was all but bankrupt.
Today, some architects are trying to imbue something of this altruistic spirit in a new generation of British city schools. The brand new, low-cost Hackney New School in East London by Henley Halebrown Rorrison squeezes into an inner-city site cheek-by-jowl with former industrial buildings. It cannot offer the spaciousness of a post-war Hertfordshire school or the classical beauty of Stowe, yet it makes maximum use of space inside – doing away with relentless corridors – and is a calm riposte to the many schools and academies of recent decades that have been too like factories or office blocks for comfort.
The Druk White Lotus School at Shey in Ladakh, India educates children from mountainous villages in a place of beauty (Credit: ImageBROKER / Alamy Stock Photo) |
Source : BBC
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